KEP Blog
Abandoned Farmstead
Kerry Enns Photography presents a striking set of revised Abandoned Farmstead fine-art photographs. Abandoned Farmstead features the rich tones and textures of black and white photography. Enjoy this photographic tour of farm buildings and equipment from the past.
I’ve been updating a few of my Galleries. The first on the list was the Abandoned Farmstead - one of my favourite sets of photographs. I’m always looking for ways to learn and improve. As my processing skills progress, I’m able to produce higher quality photographs. Please visit my Abandoned Farmstead Gallery - kerryennsphotography.com/abandoned-farmstead.
Click “Galleries” on the menu bar to find Abandoned Farmstead.
Corner Post
This picture remind me to people who play a similar role in communities and organizations. Through their work and dedication they keep things going, even when others may come and go as their interests ebb and flow.
I may have posted this picture before, but I’ve fallen in love with it all over again. I’ve been rescanning some of my black and white photographs at a higher resolution. The new scans produce detail and tones that I hadn’t seen before in these photographs, so I’ve been excited to work on them and to share them.
This is a grainy photograph, but in this case I think the grain enhances the feel of the photograph. It is a very old fence post that survived the removal of the fence and many years beyond that. Corner posts are important for keeping fences straight and strong. This picture remind me to people who play a similar role in communities and organizations. Through their work and dedication they keep things going, even when others may come and go as their interests ebb and flow.
New Slideshow: Farm Relics
I never get tired of this collection. The combination of light, texture, and shallow depth-of-field resulted in an abstract, kind of dreamy look.
Hope you love black and white photography as much as I do. I took the photographs in this collection in the “wild space” of our family farm about 35 years ago. I never get tired of this collection. The combination of light, texture, and shallow depth-of-field resulted in an abstract, kind of dreamy look. I even like the prominent grain of the Ilford FP4 I was using that day - all part of the black and white experience.